Oooh, that's a hard one. This is kind of not that exciting, but you could do a robbery, a missing pet or person.

Ooh, how very fun~

oof, that's not a lot to work with...

you could do like.  you wake up in like a building youve never been to before with a few others, and weird stuff keeps happening, and like one of the others put the rest of you there and you have to find out which one?  i dunno... 

It's actually a common misconception that you have to have gore or death for a story to be exciting, or that conflict is the same as violence - which it isn't! The following things are all potentially-engaging conflicts, but not all of them are violent. Feel free to take inspiration from any you want, these are just examples, and change as you will of course!:

-Jen needs to figure out what's been poisoning the members of the Guild of Swords before it gets her too.

-It's almost time for the town festival that brings hundreds to Lunshire in search of the best moon pumpkins around, and Talia needs the money it will bring if kit wants to keep kits farm. But something is happening to kits pumpkins - they're slowly turning grey and wilting. One night, many are smashed. How can kit stop this?

-Colton lost their invitation to a firefly gala, and they can't get in without it - but their best friend from school is going to be there, and they have an apology to make.

The first one has very obvious stakes. In the one with Talia, there are still noticeable stakes and there's still potential dangers as kit figures out what to do. Colton's probably has the lowest stakes, but it could still be very engaging. They all still have tension.

Tension is basically the feeling that something bad could happen, and it's one of the most important parts of a story. But it doesn't have to be full-blown, life-or-death bad things. Maybe Colton misses their friend and feels bad about what they did. If they don't apologize, maybe they will feel bad about that forever. Likability/how interesting the character is to read about is really important here. Check your stakes too! Though I guess you could make tension by having a character get something new, if there aren't really downsides to not getting it, it's not going to work as well. If they're doing fine and just want something else, they're still fine if they don't have it.

Of couse, the Colton story is likely to be less tense than the first one. If you want it to be a tense story without violence, there are still a lot of ways to do that. Just find stakes that are important without being life-or-death or including gore, and make sure the audience gets why they're important.

I hope this helped? (and made any sense XD) If you need any more explanation, let me know!